Saturday, June 16, 2012

I’m not going to do it.

That’s what I’m thinking at breakfast this morning. Really, I won’t. I’ve seen Her Majesty the Queen twice already. There is no need to stand in line for hours to see her yet again during the Trooping of the Colour. Surely, there are other, less congested things to do in London. I could go to Kew Gardens, for instance, or to Kensington Palace for lunch at the Orangery.

As I enter the lobby at the Rubens, I can overhear the concierge telling someone about the schedule for the day’s events, and where they might stand if they’d like to see the parade.

I think to myself: Been there, done that.

I wait until the concierge is free and then ask him for help in getting a theatre ticket for tonight. It’s my last night in London, and I’d love to see something. Actually, I’d love to see “War Horse,” but I’ve already checked online and tonight’s performance is completely sold out. Or maybe not. He holds up his finger and asks me to wait. He makes a call and snags me a premium ticket, but he’s appalled at the price. I hear him say into the telephone receiver: “£109! What does she get for her £109? Is the bloody horse going to sit next to her in the audience?”

Hee. Let’s hope so! I nod at him and tell him to seal the deal.

When I head out onto Buckingham Palace Road, I see a flurry of activity at the Royal Mews across the street and in a moment of profound weakness I turn right, instead of left toward Victoria underground station. I’m just going to take a peek, that’s all. It’s a quarter past ten and as I approach St. James’s Park, I can see a healthy crowd gathering. Perhaps, just maybe, I’ll stay for a bit to catch a glimpse of the carriages as they head down The Mall. What can I say? I’m a sucker for a parade.

The Royal Standard I saw flying above the palace yesterday has been replaced by a far larger version, and there are TV cameras mounted beneath it on the roof. The timing is perfect, actually. Within minutes of my arrival, the Household Cavalry begin to march and after a short lull, the Duchess of Cornwall and the former Kate Middleton, Duchess of Cambridge, emerge in a carriage with Prince Harry, followed by another with Prince Andrew and Princesses Beatrice and Eugenie, and finally the Queen.

I certainly don’t have a front row position this time around, but for a wait of no more than twenty minutes, it’s not half bad. Besides, the view of the crowd nearly swallowing the Queen—a sea of arms outstretched and cameras held high—is an intriguing one that says something about the enduring power of tradition in the modern age, or maybe just the lure of celebrity.

Within seconds, the carriages are out of sight and on their way to Horse Guards Parade for the Trooping of the Colour. By standing on Parliament Street during the Diamond Jubilee carriage procession, I couldn’t get anywhere near Buckingham Palace to see the royal family’s balcony appearance, so on a whim I decide to wander about for a bit. I’ll come back in time for the 1:00 PM fly past.

I walk up to Oxford Street and then to Gray’s Antiques in Mayfair. There are at least 200 dealers inside, but most are closed and after browsing those that are open, it’s immediately apparent that I can’t afford to buy anything anyway. I wish I was antiquing back in Stow-in-the-Wold instead.

I wander down through Green Park, where there is smoke rising through the trees from a gun salute underway, and arrive just in time to see the Queen and Prince Philip waving to the crowd from the balcony of Buckingham Palace, which is draped for the occasion in scallops of red velvet with gold trim. They’re soon joined by the entire family—Prince Andrew and his daughters, William and Kate, Harry, and even little Lady Louise and Viscount Severin, the children of Prince Edward and Sophie, the Countess of Wessex. It feels like a fitting finale to my time in London during the Diamond Jubilee, and when a squadron of RAF fly past spraying plumes of red, white, and blue, I take my leave.

I retrace my steps back through the park to Fortnum & Mason, where I stop for lunch in their newly refurbished Tea Salon, then head across the street to Ladurée for some Parisian macarons. I unwind back at the hotel for a while, pack my suitcase for tomorrow’s trek to Edinburgh, and then grab some tapas for an early dinner at the bar next to the Rubens.

My last night in London is a memorable one. The puppetry in “War Horse” is extraordinary and the experience is worth every pence of the £109 I paid. Before long I find myself forgetting that Joey and Topthorn are made of cloth and metal instead of flesh and bone.

The sky is black when I emerge from the New London Theatre onto Drury Lane, but even at this hour Covent Garden is a bustle of activity. As I make my way back to the Rubens one last time, I think of something that Samuel Johnson once said to his biographer and friend, James Boswell, who lived in Scotland: “Why, Sir, you find no man, at all intellectual, who is willing to leave London. No, Sir, when a man is tired of London, he is tired of life; for there is in London all that life can afford.”

I am reluctant to leave myself, but leave I must.

Monday, August 7, 2006

An offer of free admission on Mondays means that I start my day with a brief tour of the Courtauld Gallery, where I see Van Gogh’s famous self-portrait with a bandaged ear.  Then, because I missed the Changing of the Guard at WindsorCastle, I decide to brave it at BuckinghamPalace.  Sort of.  Instead of planting myself in front of the palace gates like other mere mortals, I arrive late and stand instead by the Wellington Barracks.  The band is playing an eclectic mix of music, from Sousa marches to Puccini’s “Nessun Dorma,” and even throw in a few pop songs.  I like it.  Who ever said the Brits were stuffy?  There is a highly evolved sense of humor here.   

After the guard is inspected, I follow them as they parade toward BuckinghamPalace, then pause for a picnic lunch in St. James’s Park, which I bought earlier at a Prêt a Manger.  By the time I finish eating, the old guard leaving the palace provides another nice photo opportunity.  Perhaps I missed the major action in front of the palace (although given my experience with the Queen’s Life Guard on Wednesday, I am not so sure about that) but it is a pleasing compromise given the crowds.  

In the afternoon, I head to the British Museumto see the Elgin Marbles and the Rosetta Stone, but enjoy the Enlightenment exhibit in the King’s Library best of all.   

I made reservations long ago for afternoon tea at the Ritz at 5:30 PM.  I arrive early enough to wander through the Burlington Arcade first, followed by a turn through Fortnum & Mason, which I like much better than Harrods.  I am just in time to see their mechanical clock spring into action at the top of the hour.   

Tea at the Ritz is sublime.  I am a convert, now convinced that tea bags are the root of all evil.  The sandwiches are pretty good, too.  The clotted cream is not quite what I expected (less sweet), but a very nice accompaniment to the scones and jam nevertheless.  I chat with two lovely English ladies seated at the table next to mine, Judy and Gill, and take a picture for them.  It is their first visit to the Ritz, too, in honor of Gill’s birthday.   

Following tea, I tube to Leicester Square and walk to the Prince Edward theatre for an evening performance of “Mary Poppins.” I sit in the Orchestra Stalls, Row K, and have a fabulous view of the stage.  It is costing me a small fortune, but thankfully it is worth every pence!  The special effects are astounding.  How did they do that?  Just as appealing to me is the emotional range of the show.  It is much deeper and more satisfying than the Walt Disney movie, especially in the characterization of the adult actors.  When a statue in the park named Nelius comes alive by magic, I am reminded of the street performers in Covent Garden.  I love every minute of it, especially the choreography of “Supercalifragilisticexpialidocious,” which, needless to say, is far more ambitious than what the Village People did to spell Y-M-C-A back in the 70s. On my feet, I join the rest of audience in applauding wildly at the end.