I wish I hadn’t said anything.
When I turned in last night I noticed a hole in my bed sheet. OK, so it was worse than that. There was a small and deliberate hole cut out of the middle, about one inch square, but also a huge chunk hacked out of the side. It’s worn and frayed at the edges, so it must have been laundered that way at least several times and still reused.
This morning I decide to take it downstairs to bring it to the attention of the front desk, where I know they speak English well. The clerk is appalled and he immediately calls for the head of housekeeping who, when she sees it, slaps a hand to her mouth and cries “Mamma Mia!” Soon, I’m told that the maid who serviced my room has been summoned to account for her mistake and she’s in tears.
I feel just terrible. I’m not in the least angry about the situation. I just want to make sure that the offending sheet is taken out of circulation, but the hotel insists on taking 50% off the bill for my last night’s stay, apologizing profusely. It’s a kind gesture and I leave feeling warm toward the staff at the Hotel Berna. I just hope the maid is all right.
I walk the short distance to Centrale station in Milan and wait for the 9:35 AM Eurostar train to Venice. This is the last leg of my journey; from there I’ll fly home. In truth, I’m growing weary at this point in my travels, but I’m also loath to see it end.
When I arrive at Santa Lucia station at noon, it’s pouring down rain—which after so many days of fine weather was bound to happen sooner or later. To save a few Euros for arriving mid-week, I booked a 72-hour Venice Connected transport pass online and now I have to pick it up. With my printed confirmation in hand, the instructions say to look for “the ferry embarkation point to the left of the station.” Unfortunately, I take that to mean to the left of the station as I depart down the steps. By the time I correct the error and walk back and to the right, I’m soaking wet and so is my luggage.
As I wait for the vaporetto that will take me to San Stae, I think about the contrast between this arrival in Venice and my last. On my first visit in 2008, I likened the experience to a C.S. Lewis novel. It was as if I had walked through a wardrobe and found the world of Narnia on the other side, and it made my heart leap with excitement. Today, I can’t help feeling a bit disappointed. There’s no time to stand in awe at the Grand Canal. It’s all I can do to manage my luggage and camera case and umbrella in the rain.
Still, the Hotel Al Ponte Mocenigo is as welcoming as I remembered, and like in Florence I’m ushered to the very same room I inhabited two years before. It’s comforting to mingle the fond memories I have of that trip with those I’m currently making. I change shoes and do the best I can to prepare for the weather by sliding a plastic sleeve over my camera, and then head out into the torrent.
I decide to walk toward St. Mark’s Square, and along the way stop at Cicchetteria Da Jorghe for lunch. They serve what the waiter calls a “special toast” and it’s delicious—an open faced sandwich with tomatoes, mushrooms, peppers, and basil, along with a variety of less identifiable but equally savory ingredients. I feel better having something warm in my stomach.
When I reach the square, it too is a different kind of experience this time around. On my first trip, the weather was glorious for four days straight, so to see Venice in the rain is to embrace a different Venice, and it has a casual charm of its own. After all, this is a city for which flooding is not an annoyance, or even an inconvenience, but a mere fact of life, and because of that it seems more real and less like a theme park for tourists.
I take shelter under the long arcade in St. Mark’s Square and circle around window shopping. At Pauly & Co. the art glass is a thing of absolute wonder. There is large fish, a centipede, and a series of balloon animals that would surely pass for the real thing. I’d be tempted to take one home if the price tags didn’t run into thousands of Euros, but they do. And that’s just that beginning. There’s a green fedora for €7,500, and a folded shirt, complete with buttons, for €8,100. They’ve even made what would appear to be Cinderella’s glass slipper, and at nearly €11,000 I would need to marry Prince Charming to be able to afford it.
When the rain slows, I venture west toward the Accademia bridge and the art museum on the far side. It’s a steaming mass of humanity on a day like this, and I should have known better. Crowds are seeking shelter from the storm, and the air inside is thick and humid. I follow behind a woman with a blue guidebook in her hand. She has three children in tow—one a surly teenager, the other two much younger. We are standing in a room filled with Renaissance art and she spins them around searching only for the pieces Rick Steves recommends. There are so many Madonnas and Bambinos to choose from, and she insists on finding the one by Giovanni Bellini. It’s like playing a game of Where’s Waldo, only more challenging and less fun. I glance over at the kids and feel sure they’d agree. I could use a Bellini myself right about now, but the one I have in mind is more liquid in form.
Wanting fresh air, I take a short walk toward the church of Santa Maria della Salute, whose dome is, at long last, free of scaffolding. It’s nearly 6:00 PM and the rain seems to have come to a reluctant end. There is a classical guitarist playing nearby and I catch snatches of music as I wander in and out of shops in search of Murano glass jewelry.
For dinner, I already have plans in mind. A colleague from work recently returned from Venice and he’s recommended a pizzeria called Al Nono. I looked up the restaurant before leaving home and have a computer printout from Google Maps to guide me, but this is Venice, after all. There is nothing as precise as a street address because there aren’t any real streets. Instead, there is a number associated with a particular neighborhood, or sestiere. The one I’m looking for is Santa Croce 2338. Google Maps places it just to the west of Ca’ Foscari, and if I can find Campo Santa Margherita, it’s not far from there.
Finding the campo is easy enough because it’s unusually large, but Al Nono is no where to be found. A young couple sees me squinting at a map and stops to ask for help. They’ve checked into a hostel for the night, but went out exploring and now they can’t find it again. The best that I can do is to show them where we’re standing, but that basic logistical fact is of little help because they don’t know where they’re going, and quite frankly neither do I. I wish them well, they shrug with a cheerful resignation, and I continue my hunt for number 2338.
Eventually, I can feel myself getting warmer. I’m into the 2000s and then the 2300s, but that exact number simply doesn’t exist. Frustrated, I decide to give up and zigzag back to the hotel.
At the front desk of the Hotel Al Ponte Mocenigo, I ask the clerk if he’s ever, by chance, heard of a pizzeria called Al Nono. “Of course,” he says, “it’s just around the corner.” Incredulous, I ask him if he’s kidding and he says no, it’s literally three turns away. He pulls out a map and a pen and shows me. One. Two. Three.
So much for Google Maps. Go figure.
Perhaps it’s because of the damp weather, or perhaps it because of the epic quest that brought me here, but Al Nono fails to live up to expectations. It’s a cozy place with a lively clientele made up mostly of locals, but the food is middling. I order a pizza with prosciutto, pepperoni, and mushrooms, but find that the tomato sauce is bland and the mushrooms rather soggy.
When I leave the restaurant I look overhead and see that the sky is continuing to improve. The night is still young, so I wind my way back to St. Mark’s Square to hear the orchestras play. Lavena’s is midway through “Skoda Lasky” when I arrive. It’s a Polish tune that we’re more likely to recognize as the “Beer Barrel Polka,” and before long all that I have ever known and loved about Venice has come rushing back, and I find myself tapping my toe in time to the music.
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